Apothecary Rhino
by Julie Wood of Post Falls, Idaho, graces the cover of this issue.
Starting with a map of the northwestern United States and a wooden tray,
the artist also incorporated skeleton leaves, tiny bottles, tags, and
found objects into her unique assemblage. For more information, please
see the Sample Instructions on page 129.
Jurassic
Jewelry . . . . . . . . . . . . . . . . . . .8 by Amy Wellenstein
Learn to make faux fossils with Fred Mullett's art stamps, polymer
clay, and your own imagination! Then the artist shows you how
to make Jurassic Jewelry: a gorgeous "fossil" pendant
and matching cuff bracelet.
Spackle
Cave Paintings . . . . . . . . . . . . . .32 by Lana Thompson
Experimenting with texture mediums can lead to unexpected places
.
Inspired
by Ancient Art . . . . . . . . . . . . .38 by Alison Rieder
Inspired by artists of long ago, the author uses earthy colors,
heavy textures and ancient symbolism to create her masterpieces.
Ruffled
Plastic: . . . . . . . . . . . . . . . . . . . .58 A New Approach to Shrink Art by Lise Steenerson
Pearl Ex, gel medium and shrink plastic provide an exciting
combination.
Letters
to the Editor . . . . . . . . . . . . . . . .2 by our readers
With
One Palette:
Black Red Yellow Green . . . . . . . .
.12 by Carol Heppner
Responding
to the Call:
Somerset Studio T-shirts . . . . . . . . . . . . .14 by our readers
Responding to our most recent Call for Creativity,
our readers submit beautifully decorated Somerset Studio T-shirts!
The
Lively Art of Lettering . . . . . . . . . . .21 by our readers
Featuring glorious lettering art, advanced calligraphy projects,
and some quick-and-easy techniques.
J.D GIBBS PHOTOGRAPHY
Pages 65, 74, 82, and 85 87.
MELODY NUÑEZ
Pages 78-79 and 88.
Ellen Spotts
Pages 26, 34, 40, 42, 56, 59-60, 98-99, 111, 113 114, 117-118, 120-121,
123, and 160.
The
Book Artist . . . . . . . . . . . . . . . . . . .47 by our readers
Featured in this issue: Susan Dennistons Stone Age Books and
the Victoria Artists book exchange.
Artist
Portfolio: Miriam Schaer . . . . . . .96 by Ricë Freeman-Zachery
Miriam Schaers art bookscreated from girdles, bustiers,
aprons, dresses, and glovesevoke the ghosts and stories of the
bodies that once inhabited them.
The Last Page:
Keeper of the Flame . . . . . . . . . . . . . . . .160
by Michele Sabata Keplinger
Credit:
The font "Redemption" used in the January/February 2003 Casablanca
issue was not credited. See pages 15-18 in the "Confessions of
a Packrat" article for the font designed by Kerrie Carbary. For
this font and more of Kerrie's great typestyles go to dogearedmagazine.com