Victorian Violinist
by Lynne Redmond of Greensboro, North Carolina, graces the cover of
this issue. The artist used rubber stamps, watercolor pencils and clip-art
to fashion this beautiful oversize card. You can read more about her
technique in Sample Instructions, found on page 135.
Paisley
Cards for Christmas? Yes! . . . . . .14 by Carol Heppner
These Christmas cards combine diverse cultural elementsminiature
Mexican tin shrines, known as retablos, and paisley designs
from Paisley, England resulting in unique holiday cards
for 2002.
Inkjet
Image Transfers . . . . . . . . . . . . . .26 by Lesley Riley
Learn how to create vivid color transfers from images printed
on your inkjet printer.
A
Pocketbook of Dreams . . . . . . . . . . . .54 by Nina Bagley
Discarded book covers, copper mesh, wire, sea glass, and rubber
stamp images form the foundation for dreamy books you can
make during the holidays.
2002
Article Index . . . . . . . . . . . . . . . . .127
An index of all the articles published in 2002!
10
Emporium
30
Destinations
52
Online Connections
122
Catalog Collection
PHOTO CREDITS
Sylvia Bissonette
Cover and pages 1, 15, 18, 26-27, 42, 44 45, 50-51, 54-55, 108-109,
111-112, 115-116, and 119.
J.D Gibbs Photography
Pages 66-67, 80, 85 86, and 88.
Melody Nuñez
Pages 65, 68-71, and 74-79.
Ellen Spotts
Pages 12, 14, 16, 28 29, 34-39, 43, 46-47, 56-61, 110, 113-114, 117-118,
and 120 121.
Letters to
the Editor . . . . . . . . . . . . . . . .2 by our readers
In the Artists
Hands . . . . . . . . . . . . . . .7 by Susan Pickering Rothamel
Art tools
and materials explained: In this issue, learn about block carving
tools & materials.
The Lively
Art of Lettering . . . . . . . . . . .33 by our readers
Featuring glorious lettering art, advanced calligraphy projects, and
some quick-and-easy techniques.
Responding
to the Call . . . . . . . . . . . . .42
Flower Pounding
Legacy: Mollys
Joie de Vivre . . . . . . . . .160 by Bobbe Johnson
On
page 9 in the September 2002 issue, we published several outstanding
pieces of artwork from Karen Michel's personal art-journal pages, without
giving her the appropriate attribution. The editor and the art director
deeply regret this error, and we offer our apologies to the artist.